On Saturday night I had more special guests at the show. My Grandpa Kirkpatrick had come all the way from Michigan with his wife Gretchen to see the show, and brought with them my Aunt Judy and Uncle Mark McKinney (once removed). I gave them a great tour of the theatre afterwards, and we headed to Georgetown for a bite to eat. It was so fun to see them, and they asked great questions about the show, how it worked, etc. We had a great meal and all caught up before they were headed to Williamsburg the next day. What a treat!
By Sunday I was tired, but my day off had greatly improved me. On Sunday night the restaurant 600 at the Watergate was staying open late for us, so a bunch of the cast headed over for food and drinks. Jen (our concert mistress), Sarah, Dara, and I feasted and chatted, and we got to meet our friend Kyle's whole family. Luckily by midnight I was on the train headed for home. On Monday I decided to take it easy, and I caught up on some TV and laundry. Then I met Jen, Sal, and Adam for more crab cakes at the Old Ebbit Grill. I love it there! It's got such a great DC feel. We had an amazing seafoody meal (my fave) before heading to the Hotel Washington to check out the views! This is one more of the uniquely Washington things people are supposed to do while they're here. You can see the White House, and the Washington Monument in great detail! It was a beautiful sight, and we sat and relaxed as our assistant conductor David joined us for drinks. I called it a night before midnight and was home sleeping relatively early. What a good Monday!
Of course on Tuesday the routine started up again, and knowing that time was running out, I was torn! I've realized that it's really hard for me to push myself to sight see during the day here, because when I do, I'm BEAT by the end of the weekend! So, I've narrowed down what I still want to see, and I'm taking it easy bit by bit. Tuesday I took it slow and ran errands and got my life back in order. I watched almost the whole first season of 'Freaks and Geeks', a brilliant but canceled show from a few years back that Anne has gotten me interested in, and I read Harry Potter (THE BEST EVER). This can really make for an awesome week.
By Friday's rehearsal I was not too tired, and ready to give it my all. This was another huge rehearsal, because our Raoul, Greg, is going to become a Phantom cover. Also, our vacation swing Sarah Ford is going to be a Christine cover. Add to that Sean learning his Andre cover, and we've got a whole new show of leads. Whenever there's a big put-in rehearsal, Peter, the bigshot from NY, comes in to supervise. It's fun, but it also puts the pressure on. It's when we know we've got to do well, because if you do really well, you could be promoted. If you do badly... well everyone still talks about "The Dayton Six". Apparently one year when the tour was in Dayton, Peter came to see a put-in and thought it was so bad that he fired six people on the spot. Let's just say we don't want to see that happening again. Rehearsal went smoothly, except for the Phantom's secret disappearing chair, which totally malfunctioned and continued to malfunction for Friday night's show. Oh well, we still make it magical, even if the Phantom doesn't really "disappear". Of course on Friday night, while bigshot Peter was watching, I had the biggest screw up ever!
If you remember my track, you know that I am featured at the end of Act One when the chandelier falls. There are six of us onstage bowing after Il Muto, and I'm wearing full face and chest white makeup, along with a complicated costume and wig. As soon as the chandelier falls I run off stage and continue running. I drop my wig at the wig table, then run and drop off my jewelry and shoes as my dresser unhooks me. She helps me take off my costume, and I throw on my robe and slippers and run downstairs. I frantically wash my whole face and try to get the white makeup and drawn-on-heart off my chest. Then I run to my spot in the dressing room where I have to RE-APPLY all the stage makeup that I had to put on for the beginning of the show. Moisturizer, foundation, blush, four shades of eyeshadow, liquid liner, pencil liner, eyebrow pencil, lip liner, two lipsticks, mascara, and I'm done. Usually I'm done just as they're calling places, so I run back upstairs, where my dresser does up my dress while I put on my jewelry, then run to the hair table, get my wig put on while I put on my gloves, then I run through the pitch black backstage, onstage and up to the top of the masquerade stairs just as the entr'acte is ending and, out of breath, I freeze like a statue to start Act Two.
As you can imagine, all this running is not fun. Plus, this all combines to form a delicate balance where every step depends on the previous one. If something takes too long, I know I'm screwed, so I immediately start trying to go faster, which could make me mess up and throw me off even more. The other problem is that I can't skip any steps. I can't leave my body makeup on because I wear two more cleavage-bearing tops later in the show. And I can't leave any makeup on my face unfinished because I don't have time to come back to the dressing room again until the show is over. Every night I run run run and every night I barely make it. I like to try to be leaving the hair table after getting my wig on by the time the entr'acte starts, but that only happens on the lucky days. Most of the time I'm getting my wig on when the music starts, and occasionally I'm getting my costume on.
Of course on Friday night, with Peter watching, everything went wrong. I sneezed, and drew with mascara all across my face, which I then had to remove and re-apply some foundation and blush. Then in my hurry, knowing I was late, I poked myself in the eye with the mascara, and my eye proceeded to water so much that I had to take a second and soak it up, or it was going to wash away my eyeliner. I ran upstairs, and just as I was pulling up my dress, the music started. My stomach sank, but I kept my hope up. My dresser Catherine was doing her best, but my Masquerade costume is almost 20 years old, and a little temperamental. She zipped and I ran to the hair table, but I was nervous. Then at the hair table, Jane, our usual wig person, was missing. Instead, Tony the temp started jabbing me with pins to keep my foot-tall wig on. I asked politely that he move as fast as possible, but by the time I was running from backstage and about to start climbing, everyone on the stairs yelled, "NO!", and I ran back offstage just as the lights came up. DAMN! It sucked, having to sing offstage and knowing that I should be there. Luckily, when there was a break I walked on as if I were fashionably late for the party.
It was tough, but hopefully it will be the last time it happens. I didn't get in trouble, and only my castmates gave me a hard time, asking if I was going to show up to later scenes. Lucky for me I don't think Peter noticed my absence, even though I almost ran him over in the hall on the way to the stage. And now I have two dressers and two hair people helping me make the change for the rest of the time in DC! I guess the squeaky wheel gets the grease! And the "18th century lady" (my costume's name) gets to make her entrance on time.