In 2003, I was a senior in college. One day Dominic Missimi called me and told me that I had an audition for Phantom, along with Katie Drago, Beau Davidson, and Dave Ruffin. We headed downtown, and even though I had bronchitis (there are bugs on her dugs - cough, cough) I sang. Katie and I got callbacks for the Wardrobe Mistress/Confidante, and then she booked the job. In the spring of 2006, I saw that Phantom was having an Equity chorus call, and I made time to go. At that audition the casting director stopped me after I'd only sung two bars, and asked if I had auditioned for him a few years earlier in Chicago. We chatted, and he told me he'd call me back. He did, over the summer of 2006, for a swing role on the national tour. I ended up not getting it, because my agent was told that I was too young. In November of 2006 the casting director called me in again, this time for an immediate replacement on Broadway. I gave a great audition, and then was told that they were promoting from within. They said that they still loved me, and that I was on "the short list", and they'd be calling when there was an opening. About a month ago, I got the call, and now, I've officially opened!!!
It was crazy, and fast, and now I've been officially open for three shows. The put-in on Friday was the beginning, and it went remarkably well. There were, of course, a few issues... but those were to be expected.
Since so many of my costumes are custom-made for me, they fit like a second skin. Meaning that I could barely move, and they take 10 minutes to zip up the first few times. They all have about a million zippers, belts, hooks, and other fun closures, and every minute counts when I'm running around like crazy. Although I haven't missed any entrances yet, I've come very close. My costume for Don Juan (the phantom's second opera) has a petticoat that's about TEN FEET around, and I have to have assistance walking around with it. During my opening show, I almost started crying when it took four people to do up the sticky zipper in the back, and I thought I was going to miss the whole scene. I ran all the way up, and out on stage, making it just in time. This happened with another costume during tonight's show, and since my gloves haven't stretched out yet, I was yanking them on as I walked on stage. A lot of my costumes were altered a bit after the put-in, since some of them nearly killed me.
My main wardrobe mistress costume, which I wear the most, caused the biggest problem during the put-in. There's one time where I have to do an onstage costume change for Christine, and then I gesture to her and back up offstage. I did the change perfectly, which was what I was nervous about, then proceeded to back up and FALL ON MY ASS. It was a ridiculous head over heels, tangled in my dress fall, and the show had to keep going as I was basically dragged offstage into the wings and then righted. Needless to say that dress has been shortened a bit, and I also now kind of walk sideways offstage.
There have been a few little mishaps that weren't my fault, like when a prop was missing, or when my dresser told me I wasn't supposed to wear my gloves in a certain scene. And there have been a few close calls, like when I put on my wig before my mask right before Masquerade, and then had to rip them off, switch them, and then run up twelve stairs just in time to freeze in place as the curtain opened.
Overall it's a crazy show for me, since I show up an hour before the show to do my makeup, pincurls, and prep, and then have no breaks until the show ends. Seriously, every free second is taken up, switching costumes, switching makeup, traveling from one place to another, offstage singing, and the like. But - it's a ton of fun. I'm already addicted to the change that happens... one second you're backstage in the dark hanging out and joking with cast and crew, then you step out onstage and you're transformed! You're performing, singing and taking on a whole new persona. It's amazing. It hasn't hurt either that I've only played to sold-out houses where the people go crazy. We've gotten a standing ovation every night!
All this combines to make me exhausted, but happy. My body hurts in strange and terrible ways, from the weight of 50-pound costumes (my Masquerade costume is about 15 years old and is affectionately known as "the couch"), high heels, pin curls and tight wigs, and who knows what else. My butt even hurts from having to do strange leg lifts nightly to step in and out of my costumes, which are laid out on the ground for me, but sometimes require a four-foot lift of my legs just to put them on. It's a great workout! Luckily I've got one show tomorrow, and then a day off. I can't wait to rest and let this all sink in!!